Who doesn’t know Arvo Pärt? He is the world’s most performed living composer and arguably the most beloved as well. In late May, he accompanied the Grammy-winning Estonian Philharmonic Chamber Choir and the Tallinn Chamber Orchestra on their performances of his music in New York’s Carnegie Hall and in Washington, D.C. Some days before embarking on this tour, the musicians performed their programme of Arvo Pärt’s music at the University of Tartu Assembly Hall:
It was the jewel in the crown of the year-long series of lectures on Arvo Pärt’s music by the Estonian Academy of Music and Theatre Professor Toomas Siitan, with greatly awaited appearances by the famous albeit shy composer himself, who served as an invited Professor of Fine Arts at the University of Tartu last academic year.
Although Arvo Pärt has never been verbose about his work, noting that his word is the sound (in this sense, the final concert carried his most important message), the composer’s presence during the course felt essential and special. As one of the seminar participants wrote in an essay:
I don’t want to use big words, but the first seminar and meeting over the video bridge to the composer’s home created a strange and wonderful atmosphere. I felt a part of something very special, and you could see that the participants were moved. I later described this experience as the result of a great work of self-improvement. The composer has arrived to a place where many don’t even start their journey.